Sellotape Selfies/ Sellofies and extreme metal aesthetics in times of face recognition and narcissism. Sellotape selfies were initiated by Lizzy Durley as a new meme on facebook. On-going. Description following.
In collaboration with Belle Phromchanya.
It seems people were joining the demonstrations for different reasons: demonstrating against the government, or having a good time participating in the political festival. The latter includes another reason: to be seen. A huge amount of people dressed up and took selfie after selfie to an extend that the Thai demonstrations hold the unofficial world record of uploading selfies per day. It almost shut down Instagram.
The revolution´s digital life takes place on facebook and Instagram, partly protesting, partly posing in and with the mob. „Whether they were there to be seen and take selfies or seriously protest the government, there is – of course – now a Facebook page featuring the finest girls of the protest. „Mob Stars“ is now trending and has already collected over 26,000 likes for displaying cute girls and their nationalistic fashion statements.“1
1. Political Passion: Cutest protest girls compiled online http://bangkok.coconuts.co/2014/01/16/political-passion-cutest-protest-girls-compiled-online
2. Thai Protesters Pause to Take ‘Selfies’ During Rallies http://blogs.wsj.com/searealtime/2013/12/11/thai-protesters-pause-to-take-selfies-during-rallies/
3. ‘Nobody Liked My Selfie and Now the Country Is Going to Hell’ http://time.com/5643/nobody-liked-my-selfie-and-now-the-country-is-going-to-hell/
Installation at Third Floor Vision – Retrospective Extravaganza at De Punt, Amsterdam
21 February – 3 March 2014
GRAB PROPS AND TAKE SELFIES!!
All photos taken by the participants were immediately streamed to an existing mobstar photo cillection – shown on the screen.
21 February, 2014
Amsterdam, The Netherlands
Our EP „Physical Absence – Virtual Presence“ is out.
Listening online: http://clashvoid.bandcamp.com
Email me if you want to get a copy.
Twittercore is a 140 character realtime grindcore band and at the same time a new interactive music genre. It combines the social engine Twitter with the music genre grindcore.
During the performance the audience sends tweets to a certain #. The tweets are used as lyrics and sang in realtime. At the same time the tweets are generating a blast beat in the drum-computer. The tweets are either send right on the spot or by people from all around the world who attend the performance online. Incoming tweets are projected on a screen, immediately visible for the audience. Because tweets are limited to 140 characters, the Twittercore sets are limited to 140 bars of music. After that the whole system shuts down automatically.
Twittercore acts as a medium combining the systematic structure of Twitter with the extreme outbursts of emotion found in grindcore. Grindcore is for a large part about criticizing the system. Before this background Twittercore is acting as a medium to provide the audience with a platform to express different opinions, criticism, hate and fun. Twittercore is Stefan Schäfer (vocals, Nintendo Wii) and Christoph Scherbaum (electric guitar, programming).
Twittercore performed amongst others at CIG Poster and Graphic Design Festival Chaumont, France, Cite Du Design, St. Etienne Design Biennale, DePunt Amsterdam and OCCII Amsterdam and Worm in Rotterdam.
„PAVP: Physical Absence – Virtual Presence“ EP RELEASE, 18.10.2014 @ De Punt, Amsterdam
Flyer Rotterdam Musem Night 2014 @ Worm
Flyer for Twittercore @DePunt, Amsterdam
Photo above by: Kaspar Vogelzang
According to the Guiness Book of World records, the fastest song in history is „You Suffer, but Why“ by grindcore pioneers Napalm Death (1,136 sec). Our fastes one is still a bit longer „Wikicore Continue“, tweeted by Nuankhanit Phromchanya.
Twittercore performed amongst others at Cite Du Design, St. Etienne Design Biennale, DePunt Amsterdam, OCCII Amsteram and CIG Poster and Graphic Design Festival Chaumont, France.
Twittercore at Chaumont, set one
Twittercore at Chaumont, set two
Twittercore´s new interface for DePunt, 02.11.2013
About Twittercore, interviewed by Christoph Müller-Girod
Old School Twittercore: very first performance at former filmmuseum Vondelpark, Amsterdam.
Hannes Bernard, Guido Giglio, Seungyong Moon, Noortje van Eekelen, Ruben Pater, Yin Aiwen, Yuri Veerman.
Participating in the Toffie Pop Culture Festival in Cape Town (ZA) we as team Netherlands (students of the Sandberg Instituut, Amsterdam) built an installation for pirate-trading, based on the seafaring and trading histoy of the Netherlands and South Africa. The installation consisted of USB sticks, filled with pirate design resources, buoyage, ropes and weigths. The audience could exchange data using the USB sticks and so be part of the pirate-trading.
The first Dutch settlers were sent to the Cape to establish a halfway station to provide fresh water, vegetables, and meat for passing ships traveling to and from Asia. The settlers brought with them trade from Europe and bartered with the locals for their sheep and cattle. As such, the Cape has been instrumental as a point for exchange between the Netherlands and South Africa for centuries. The Dutch delegation’s Pier to Pier project aims to re-establish a relation of exchange by trading design resources from the Old World. Bring your laptops, lower the digital cargo and enjoy free-trade from our pirate-ships.
Selection from „Survival of the Unfittest“, i.c.w. Noor van Eekelen
In a time when technology is having more and more of a commanding influence on our values, we launch the platform Community of the Unfittest. It consists of a growing collection of instructions on how to critically engage with existing recording and observation networks. This project was developed during the Sandberg@Mediafonds 2011 master class WirelessStories: New Media in Public Space.
Mimosa Power Cover, concrete ipad case
BONUS Grocery List Communication System
Hagelslag Live Tracing