Design My Privacy Book

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„Design My Privacy“ book design for MOTI Museum Of The Image.

Author: Tijmen Schep. Published by Bis Publishers.

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Design My Privacy Exhibition

 

 

Zaaloverzicht-03, Design my Privacy, tentoonstelling MOTI, credit Tim Eshuis

Zaaloverzicht-04, Design my Privacy, tentoonstelling MOTI, credit Tim Eshuis

„Design My Privacy“ exhibition design for MOTI Museum Of The Image in Breda, NL

Photo credits: Tim Eshuis

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Bachelor’s Delight

02.JASMIJN VISSER-'BACHELOR'S DELIGHT'2015-PH.GJ.vanROOIJMicrocosm, Drackensteyn Room
Bachelor’s Delight, installation view

 

03.JASMIJN VISSER-'BACHELOR'S DELIGHT'2015-PH.GJ.vanROOIJ 2World, The Bird Room
Bachelor’s Delight, installation view

 

04.JASMIJN VISSER-'BACHELOR'S DELIGHT'2015-PH.GJ.vanROOIJSpace, The Red Bedroom
Bachelor’s Delight, installation view

 

08.JASMIJN VISSER-'BACHELOR'S DELIGHT'2015-PH.GJ.vanROOIJVitrines and Posters, Upstairs Hallway
Bachelor’s Delight, installation view

 

07.JASMIJN VISSER-'BACHELOR'S DELIGHT'2015-PH.GJ.vanROOIJVitrines and Posters, Upstairs Hallway
Bachelor’s Delight, installation view

 

12.JASMIJN VISSER-'BACHELOR'S DELIGHT'2015-PH.GJ.vanROOIJVitrine, Upstairs Hallway
Bachelor’s Delight, installation view

 

15.JASMIJN VISSER-'BACHELOR'S DELIGHT'2015-PH.GJ.vanROOIJVitrine, Upstairs Hallway
Bachelor’s Delight, installation view

 

17.JASMIJN VISSER-'BACHELOR'S DELIGHT'2015-PH.GJ.vanROOIJVitrine, Upstairs Hallway
Bachelor’s Delight, installation view

 

18.JASMIJN VISSER-'BACHELOR'S DELIGHT'2015-PH.GJ.vanROOIJ 2Vitrine, Upstairs Hallway
Bachelor’s Delight, installation view

 

KaartVoorkantPoster, Front
Bachelor’s Delight, installation view

 

KaartAchterkantPoster, Back
Bachelor’s Delight, installation view

 

24. website IIISpace
Bachelor’s Delight, website view

23. Website IIWorld
Bachelor’s Delight, website view

22. website IMicrocosm
Bachelor’s Delight, website view

Bachelor’s Delight is a project by artist Jasmijn Visser in collaboration with designer S†ëfan Schäfer and historian Tristan Mostert, designed for Museum van Loon in 2015.

The exhibition takes shape of a quadriptych, with the website as the first part, together with a poster, digital installation, and objects from the museum’s inventory. These different elements can be viewed separately, but also inform each other. The poster operates as a guide through the website and the installation.

Bachelor’s Delight follows an extensive historical research on the Atlas van Loon by Visser and Mostert. Schäfer and Visser used the museum’s eclectic interior in order to design the project’s visual identity.

The website can be visited at www.bachelorsdelight.com
and includes a download verison of the poster.

Supported by Mondrian Foundation and AFK

Special thanks to Cato Koole, Philippa van Loon, Tonko Grever, Heerko van der Kooij and Anonymous Production

Photo Credits: Gert Jan van Rooij

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Digital Death and the Post-Mortem Self

In collaboration with Emily West, PhD Medicine, we started the collective DigitalDeathDrive and organized our first symposium entitled Digital Death and the Post-Mortem Self, 3rd-5th of April, 2015.

As the structure of families and local networks changes and becomes more geographically disparate, the structure of death and mourning must necessarily shift. The Western cemetery model provided a uniform and systematic means of public memorialisation, but there has always been demand for an alternative and more personal means of remembrance for the dead. The control of post-mortem identity is becoming further dissipated through global technology, and recent shifts toward user-generated content means that the post-mortem lives of the deceased can become fractured and multiple. Increasingly, we can take control of our digital selves and digital afterlives. The number of public figures who utilise social networks as a source of revenue in return for prominently featuring sponsored products has raised questions on whether death need still signal the end of lucrative commercial relationships. Are some digital lives now too valuable to stop when hearts stop beating? Our digital selves have the potential to die discrete deaths, long before or after our bodies cease to be. Increasingly, this calls for designers and architects (both digital and physical) to explore the notion of the continuing self when considering environments for death and memorialisation – to link the physical end of life with a digital continuation.

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The Shape of Death to Come

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Images for the lecture/ event „The Shape of Death to Come“ ny Emily West and Gilbert Sinnott, who talk about the possibilities for the dead in the digital world.

Selfie Extender

I.c.w. Selby Gildemacher.

Materials: 2 laptops, 2 iPhones, 2 robot arms, 2 SparkCore, Skype, IFTTT app

The Selfie Extender devides the act of taking a Selfie from location, which is “traditionally” seen as a whole. A Selfie operates as a proof for being present at a certain place, and we basically become our own watermark. In this project the audience is physically present at one spot and takes a virtual Selfie at any other spot imaginable. By physically pressing a button on one location, the robot arm will take the photo on the other location. The installation was done with a 10.000 km distance selfie between Groningen (NL) and Cape Town (ZA) in 2014.

 

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Extensions of Man Workshop at Mediamatic during „Pret Park“.

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